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Robert Morris: Tate Modern’deki Bodyspacemotionthings Sergisi

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Katılımcı sanat Tate 1971'de Bodyspacemotionthings sergide açıldığında yeni bir kavramdı. Amerikalı sanatçı Robert Morris tarafından yaratılan bu eser, insanların tırmanabileceği bir grup kiriş, ağırlık, platform, makara, tünel ve rampadan oluşan bir yapıdır. Açılıştan dört gün sonra, çok istekli bir seyirci nedeniyle güvenlik endişeleri nedeniyle kapanmıştır. Eserin 2009'daki yaratılmasına bakın ve küratör Catherine Wood ile Kathy Noble'un Morris'in sanat ve katılım vizyonunu konuşmalarını dinleyin.
Orijinal video Tate tarafından hazırlanmıştır.

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Video açıklaması

we're in the turbine Halep Tate Modern and we're standing in their recreation of Robert Morris's bodyspace sensations things which was an exhibition took place that what was taken take gallery in 1971 Robert Morris has always been very open to all very unpressurized he would always rather remake a sculpture than transport it I think well part of our interest really was in the experiment of staging again now in a space in which people are so used to participating it's a space where people feel uninhibited and feel kind of conceptually open to maybe engaging something like this this one here is probably the hardest one to be honest you really have to be quite strong and the idea that it's a semi climbing wall and you squeeze yourself between their separate blocks and then push yourself up in the eye of the piece behind me is that the roof and the slope they almost sandwich you between them so you're supposed to push yourself up and it gradually sandwiches to you as you get to the top of the room Robert Morris in his work has always been very interested in how you might experience things via your body not just our site and missing piece was the kind of farthest that he pushed that idea I think many artists very many artists are influenced by his work there are certain artists like gosh coma cougar or a group called continuous project altered daily in New York who may work with some kind of direct homage to Robert Morris but many many more who are working across filter and performance other debt is practice it was such an important event in Tate's own history that that's part of the reason we wanted to bring it back to life because the extent to which the institution is involved in the past is enormous but I think this was the kind of one of the radical groundbreaking things that precipitated the change you