Konu: Metropolitan Sanat Müzesi > Ünite 1
Ders 3: Kendini Adama- Luke Syson ile "İnanç"
- Soyoung Lee ile "Tefekkür"
- Çadırın Perdeleri
- Peter Barnet ile "Drama"
- Dita Amory ile "Orijinallik"
- Andrea Bayer ile "Bitmemiş"
- Charles Little ile "Tutuklamak"
- Tanrı Ptah'ın Kült İmgesi
- Barbara Drake Boehm ile "Kaderi Belli"
- Mhakala, "Çadırın Koruyucusu"
- Blake'in "Bilge ve Akılsız Bakireler Meseli" İsimli Eseri
Tanrı Ptah'ın Kült İmgesi
Met curator Diana Craig Patch on language without words in Cult Image of the God Ptah, dating from Egypt’s Third Intermediate Period, c. 945–600 B.C.E.
This statuette depicts Ptah, the chief god of Egypt's capital city Memphis, who is easy to identify by his tight-fitting cap and enveloping shroud. Other iconographic details, such as the royal beard, the large and detailed broad collar, the scepter of merged "was" and "djed" signs, and a platform representing the hieroglyph for universal order, as well as the brilliant blue stone, communicate four important epithets: Lord of Lower Egypt, Master Craftsman, Lord of Truth, and Lord of the Sky.
The superior carving of the god's face, scepter, and jewelry is astonishing for a piece of such diminutive size and hard stone. Its style and quality suggests the sculpture was made in a royal workshop and most likely intended for use as a votive piece in Ptah's large temple at Memphis or in a small shrine dedicated to the god elsewhere in Egypt.
View this work on metmuseum.org.
Are you an educator? Here's a related lesson plan. For additional educator resources from The Metropolitan Museum of Art, visit Find an Educator Resource.
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